Three men, calling themselves the Rainbow Kids, and one old woman - easy money, right? Not this time. As the Rainbow Kids try to pull this stunt off, it creates an international news sensation, turning their simple plan into a media circus. It's kidnappers vs. the police in a strategic battle for Mrs. Yanagawa, using the media as the middleman.

The second film continues the theme of alienation, as an outcast yakuza Yuji, lives as a hit man on the fringes of the Taiwanese criminal world. When Yuji is unexpectedly saddled with what may be his real son, a sense of responsibility is born in him as he uses his lethal skills to find some sort of haven for his newly found family.

The samurai lord, Ondaiji, travels 400 years to fulfill his dream of raising a castle. He finds an understanding professor, dim town officials, a mysterious old lady, and happy-go-lucky tramps who suggest the best material for the castle is cardboard. Cardboard? What will he do with his shachihoko?

An aging ruler, Lord Hidetora, announces his intention to divide his land equally among his three sons. But this decision unleashes a power struggle between the three, when Hidetora falls prey to plots by his two older sons, and banishes the youngest.

Akira Kurosawa re-imagines Shakespeare's tragic King Lear as a singular historical epic set in sixteenth-century Japan. Lord Hidetora is a warlord who cedes authority over his vast dominion to his eldest son, setting off a familial power struggle for control of his kingdom. Majestic in scope, Ran is a visual masterpiece in which Kurosawa contrasts the immensity of war with the crumbling of one family under the weight of betrayal, greed, and the insatiable thirst for power.

The complexities of human nature are revealed as four people recount different versions of the story of a man's murder and the rape of his wife.

The murder of a man and the rape of his wife in a forest grove - seen from four different perspectives. Toshiro Mifune explodes as the feral bandit who may or may not be guilty of these crimes in Akira Kurosawa's meditation on the nature of "truth" - a classic, humane allegory that transformed narrative cinema as we know it and turned its director into an international sensation.

Rebellion! The political and cultural tumult of the 1960s shook Japan as it did the rest of the world. Japanese filmmakers responded to the changing times by disguising themes of dissent in the traditional form of the swordplay film, or chanbara. The genre began embracing a new kind of hero, or antihero: the lone outcast, distrustful of authority but maintaining a personal code of honor.

During Japan's era of the Shogun, evil finds a new advocate, Yui Shosetsu, a sorcerer who's out to seize control of the entire world. However, Yui must first sacrifice seven young virgins in order to resurrect seven legendary samurai warriors to aid him in his conquest. But their path to world domination will not be so easy...

The legendary samurai, Yagyu Jyubei faces off against Necromancer Shosetsu Yui and his undead armies. Jyubei has already used his unmatched swordsmanship against the fabled spear-master Inshun Hozoin and the mythic warrior Musashi Miyamoto. Now Jyubei must rescue the girl ninja, Ohiro, from the claws of Yorinobu, an evil man destined to become Lord of Darkness on the eve of Armageddon!

In the Edo period of old Japan, powerful feudal lords battle for supremacy. The sorcerer Yui Shosetsu seeks control of the entire world, and plans to enlist the help of seven resurrected samurai warriors by sacrificing seven virgins. One valiant warrior, Jubei Yagyu, blocks their path to conquest. But Yui has the perfect undead warrior to stop the legendary hero, the former leader of the Yagyu and Jubei's own father.

This release covers the "Red Arrows," a top-notch aerobatic team from Europe. As you may know, the "Red Arrows" are one of the best aerobatic teams in Europe, along with the French Air Force's "Patrouille de France" and the Italian Air Force's "Frecce Tricolori."